HOME RECORDING - TIPS, TRICKS AND TRADE SECRETS

Kye Thomas Tips

• It is important to learn the fundamentals of sound engineering which will help you make more use of your own equipment more efficiently. Put the concept you use on your computer into context and understand the origin of the concept you use all the time.
  
• A few basic pointers about the basic principles of sound engineering can make all the difference. (Gain structure & EQ etc.)
  
• Learn the rules so you can have fun breaking them. Creative sound engineering is all about breaking the rules but you need to learn them first.
  
• Many domestic users will find that learning audio engineering theory merely consolidates what they have already discovered themselves. It is better to know why you are getting a good result and to be able to do it again and again.
  
• A good understanding of theory helps in decision making about equipment purchases.
  
• Learn about hi-end gear by using it, and experimenting. Hiring microphones, pre-amps and outboard processors can be a good option.
  
• Ultimately, the best sound engineers are people who are good motivators and can get the best out of a recording session. These skills come with time and experience working with musicians on a recording session, whether it is a home studio or major studio. Audio skills go without saying, they are expected. Knowing the technical stuff well makes it easier to fulfil this role, and give your client due confidence in your abilities.
  
• There are a lot of audio engineering training providers in the market place, and can be quite expensive. But the benefits to your audio skills by knowing some basic theory is priceless.
  
• Areas in which a little theory can go a long way include:
  - Gain structure
  - EQ
  - Compression/Limiting
  - Monitoring
  - Mic selection and placement
  - Mixing Techniques
  - Mastering
  
• Audio training providers costs range from $500 at TAFE to $10,000 with private colleges. (Certificate Level)

Kye Thomas

Head trainer - audio department JMC Academy Melb.

Freelance engineer/producer

Singer/songwriter performer (The Otherwise)

Manager/In House Engineer Woodstock Studios (2001-3)

Manager/ In House Engineer Revolver Recordings (1999 - 2001)

Live sound Engineer

Studio credits include Joe Camilleri, Stephen Cummings, The Fauves, 28 Days, Pre Shrunk, Crash Palace, Augie March, The Otherwise, The Zero Edition