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NEIL MURRAY TOUR DIARY

Posted in Artists, Special Features    //    Post Date - August 18, 2005

NEIL MURRAY TOUR DIARY August 18, 2005 | Author: Australian Musician NEIL MURRAY ‘ABOUT TIME’ TOUR DIARY Photo by Marty Williams Neil Murray is widely regarded as one of Australia’s most respected singer/songwriters. In April Neil released About Time… A Song Collection, a definitive studio collection of his finest works,…

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JOE SATRIANI AT SOUNDCHECK

Posted in Artists, Interviews    //    Post Date - August 18, 2005

JOE SATRIANI AT SOUNDCHECK August 18, 2005 | Author: Joe Matera. Pics by Marty Williams SOUNDCHECKIN’ WITH SATCH It’s late afternoon and I’m sitting in the foyer of a plush Melbourne inner city hotel talking to Joe Satriani’s manager Mick Brigden awaiting for Satch to show for our Australian Musician…

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LADIES SING THE BLUES – Part 3 Marie Gabrielle

Posted in Artists, Interviews    //    Post Date - August 16, 2005

LADIES SING THE BLUES – Part 3 Marie Gabrielle August 18, 2005 | Author: Greg Phillips Australian Musician spotlights three emerging female singer songwriters with their feet firmly on the ground and their amps churning out honest, organic rhythm & blues. MIA DYSON, ANNE McCUE AND MARI GABRIELLE MARIE GABRIELLE By…

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LADIES SING THE BLUES Part 1-Mia Dyson

Posted in Artists, Interviews    //    Post Date - August 16, 2005

LADIES SING THE BLUES. Part 1 Mia Dyson August 18, 2005 | Author: Greg Phillips LADIES SING THE BLUES Australian Musician spotlights three emerging female singer songwriters with their feet firmly on the ground and their amps churning out honest, organic rhythm & blues. MIA DYSON, ANNE McCUE AND MARI GABRIELLE…

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LADIES SING THE BLUES – Part 2 Anne McCue

Posted in Artists, Interviews    //    Post Date - August 16, 2005

LADIES SING THE BLUES – Part 2 Anne McCue August 18, 2005 | Author: Baz Bardoe LADIES SING THE BLUES Australian Musician spotlights three emerging female singer songwriters with their feet firmly on the ground and their amps churning out honest, organic rhythm & blues. MIA DYSON, ANNE McCUE AND MARI…

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JETHRO TULL’S MARTIN BARRE

Posted in Artists, Interviews    //    Post Date - August 15, 2005

JETHRO TULL’S MARTIN BARRE August 18, 2005 | Author: Greg Phillips “Number 25 of all time is my claim to fame!” offers Jethro Tull guitarist Martin Barre quite proudly, referring to a poll which rated ‘Aqualung’ as the 25th best guitar solo of all time. That piece of contemporary music…

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MOOG’s 50th ANNIVERSARY BASH exclusively for us by Rick Wakeman

Posted in Artists, Special Features    //    Post Date - June 11, 2004

June 2004. Rick Wakeman reports exclusively for Australian Musician on the wonderful Bob Moog 50th anniversary in New York. It was also Rick’s 55th birthday. In 1954 Bob Moog put together the first synthesizer as we have come to understand them today. (Thus 2004 being the 50th anniversary). Bob Moog is also 75 this year. The entrepreneur Charles Carlini put together the idea of a MOOGFEST in New York to celebrate 50 years of the instrument that changed the course of keyboards within so many genres of music from rock to classical and it’s amazing use in so many films. Charles contacted many musicians whose lives and work have been touched  by Bob Moog and a date was fixed  for the event to honour Bob … May 18th … which just happened to also be my 55th birthday. Rehearsals were  held on the 17th of May and the show took place at 
BB Kings on 42nd Street in New York the following day. Somehow an amazing number of artists and acts managed to cram on the stage for both sound check and the  performances which were very diverse and showed the wide range of music that the instrument has created. Taking part, apart from myself, were NYC Reggae Collective, Jason Miles and Maximum Groove,  Joe Gallivan and Graham Haynes, Bernie Worrell & DJ Logic, Suzanne Ciani, Pamela Kurstin, Deodato and Steve Molitz, Stanley Jordan, Keith Emerson and his band . During my participation a huge birthday cake was brought on organized by Charles Carlini…

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KISS (Paul Stanley) & THE MELBOURNE SYMPHONY ORCHESTRA

Posted in Artists, Special Features    //    Post Date - June 5, 2004

June 2004. by Greg Phillips It wasn’t the first time a rock band had shared a stage with classically trained musicians, but the teaming of the Melbourne Symphony Orchestra with American rock legends Kiss at Melbourne’s Telstra Dome in February 2003 had to be the most mutually satisfying for all…

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CHRIS SQUIRE – YES

Posted in Artists, Interviews    //    Post Date - December 1, 2003

Music fans raised  on today’s  radio-friendly three and a half minute pop songs might find it difficult to comprehend the ten and twenty minute music opuses regularly churned out by progressive bands in the 70s. Back then it was always about the music and exceeding boundaries. In an era that…

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BRIAN MAY-WE WILL ROCK YOU

Posted in Artists, Interviews, Uncategorized    //    Post Date - June 28, 2003

June 2003, By Greg Phillips Melbourne has been chosen to host the Australian premiere of “WE WILL ROCK YOU” the futuristic rock musical based on the music of British supergroup Queen and featuring 24 of their biggest hits.  The musical is a huge success in London’s West End with bookings taken through until early 2004. “We Will Rock You” was written by Ben Elton, whose penmanship was responsible for legendary TV shows like ‘Black Adder’ and ‘The Young Ones’. “We Will Rock You”  debuts at Melbourne’s Regent Theatre on August 7 this year. Elton, along with Queen guitarist Brian May and drummer Roger Taylor were recently in town to audition potential cast members. Australian Musician’s Greg Phillips managed to grab ten minutes with Brian May to talk about the show and that distinctive Queen sound. GP: Your guitar sound is very distinctive and plays a huge part in the sound of Queen, so how much attention is paid to the sound of the band in the stage show? BM: The band is the driving force in the show so a lot of time  was spent with it. We were determined that the band would not sound like your regular pit band in a musical , so they are a real rock band. They play some of my licks but they don’t have to be me. GP: I noticed in the promotional footage of the London show that one of your replica guitars was played, was that one of the guitars that  the Australian luthier, Greg Fryer produced for you? BM: No they’re too precious. It’s a Burns copy. I have a new edition of the Brian May model in England that is made by Burns, who actually made the pickups I used on the original. So those are the ones the guys use in the show. So we go to a lot of trouble to get the sound but the band don’t have to be robots. They have a bit of freedom to play the licks that they want to play in certain parts of the show. The show is very big, very theatrical. GP: If Freddie had been alive, what would Queen be sounding like now? BM: Good question. Bigger, better and louder I’m sure. It’s hard to say really. I know for a fact Freddie would have loved this project  even if we hadn’t been together as a band. This is a great extension of our ouvre, as Ben calls it. I don’t know what the band would  be doing? We’d just be playing and making more music. We’d probably be still doing the individual things that we still do. GP: Is there much material laying around?  Were you the type of band who recorded stuff and shelved it? BM: Yes. At the moment we are still sifting through it but there will be a box set at some point of our unfinished stuff. We put a lot of stuff down on tape. GP: I just wanted to go back to Greg Fryer if I could and discuss the work he did for you with your Red Special guitar… BM: Well Greg is an amazing  craftsman. I have never met anyone like him. He spent  2 years making 3 copies of my guitar, in identical ways I made my original. He went to so much trouble to replicate every single material and  technique.  Every thousandth of an inch was checked.  Those things are masterpieces. I have two of them and he has one. Mine are called John and George and his is called Paul. Those things are stupendous, so whenever I go out and play , they are sitting beside me. I use…

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